Whether you call it ‘new photography’, ‘new formalism’ or, as Aaron Schuman opted for in frieze 170, ‘constructed photography’, Eileen Quinlan is exemplary. It’s not that new anymore. Alongside Annette Kelm and Josephine Pryde, with whom she exhibited in MoMA’s ‘New Photography 2013’, as well as Walead Beshty, Lucas Blalock and Mariah Robertson, Quinlan problematizesread more