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‘New Order: Art, Product, Image, 1976-1995’, Sprüth Magers Gallery London / BANK: ‘Summa’, Piper Keys London

For the so-called young British artists, 1995 was, according to the writer Michael Bracewell, curator of ‘New Order: Art, Product, Image: 1976-1995’, what 1976 had been for London punk – a mythical Year Zero. Between these zeroes, British self-image and identity – and the ascendant ‘style wars’, as Peter York called them, later brilliantly theorisedread more